CONSUMERS

Decoding China: A Western Perspective of the China Opportunity

by

Iris Chan

|

This is the featured image caption
Credit: This is the featured image credit
Chinese consumers account for more than a third of the luxury goods sector’s worldwide revenues, and are still fuelling growth in the sector in spite of the ongoing US-China trade…

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

Chinese consumers account for more than a third of the luxury goods sector’s worldwide revenues, and are still fuelling growth in the sector in spite of the ongoing US-China trade war. Should Western brands jump right in?

For many brands, China has become one of, if not, the most important market as it can have a significant impact on global performance. However, as the largest economy in the world, being active in the US market alone can be more than enough to keep a brand busy.

Yet, North American brands are aware of the opportunity that exists in the China market and those who have not yet joined in can only watch from the sidelines as others gain at scale – and FOMO (fear of missing out) is real. Understandably, brands are keen on China, but it can be overwhelming to pinpoint the right strategy for this market, let alone figure out where to start.

To begin with, brands in North America are not necessarily in the right mindset to jump into a market like China. Unlike Europe and the UK, where brands within their home market have had to cross borders, languages, and cultures early on in order to find growth, North America has encountered less friction and fewer hurdles when expanding from state to state and coast to coast.

Then just thinking about the time and effort needed to understand this market – from language and culture to legal business registration and who to trust – can make your head spin. On top of this, there are geopolitical elements that, on the surface, are enough to deter brands – the most current of which being the US-China Trade War and the Hong Kong and Mainland China conflict.

Yet brands continue to pursue the China opportunity. Both classic players the likes of Michael Kors, Coach, and Ralph Lauren, as well as new players Rothy’s, FENTY Beauty, GOAT and Everlane are all trying to make headway in China. Why?

Growing Demand

This year’s Singles’ Day gave way to more than $38 billion in sales across Alibaba’s platforms. Despite concerns of Chinese consumers boycotting American brands ahead of Singles’ Day, sales from the event indicate no shortage of demand and interest for American brands like Nike, Adidas, and Estée Lauder.

Shift in Consumption Patterns

The effects of the Hong Kong and Mainland China conflict felt by retail brands is not a signal of lowered levels of consumption among Chinese consumers. What we are seeing is simply a shift in consumption to other areas in the region when it comes to travel retail. Similar responses to geo-political activities happened back in 2017 as J-Beauty took over K-Beauty in popularity amongst Chinese consumers due to tensions with South Korea, and before that in 2016 when travel to South Korea peaked as the Korean culture wave hit China. In 2019, both destinations are seeing increased travellers from China.

Changing Policies

China has also taken steps to make the conditions for market entry more attractive and feasible. The 2019 e-commerce policy requires all e-commerce sellers to register with business licenses with proper reporting of their transactions and tax filings, which means brands can focus on establishing an official presence rather than fighting grey market sellers.

China currently requires animal testing to be carried out on domestic and foreign goods sold in the local market, and this has been a significant barrier to entry for North American beauty brands that plan to remain cruelty free. However, changes to this policy are now in the works. While this may take some time to take effect, cross-border platforms like Tmall Global and Kaola, coupled with the impact of the e-commerce policy, offer a strong proposition for brands to invest and reach consumers in China.

The opportunity in China is real. So where does that leave us?

China has one of the largest land masses and is the most populated country in the world. So it should be expected that the level of investment required should match the size of the opportunity. It is important to recognise that a brand’s chances of success in the market is directly linked to its capacity to invest and find the partners to operate and scale their efforts. Working with marketplaces, technologies, media and KOLs (Key Opinion Leaders) is par for the course as it is hard to go at it alone in this huge market.

It can be tempting to think of opening a Tmall store as a one-off investment, or handing off the keys to the business to a distributor. But if you’re looking to truly invest in China for the long term, investments should be made strategically and planned in phases. Brands should also learn to identify the right triggers for building and developing their Chinese presence sustainably.

Lastly, this is a market that is constantly changing. There is no perfect storm that will allow everything to fall into place. Even if it seems perfect in that moment, it most certainly will change the next. China is a digitally dominant and mobile-first market – far beyond what we experience in the West. Under these conditions, the landscape changes at a faster clip, and the only way to keep up is to remain agile in the way you think, the way you operate, and the way you exist. It’s a feeding ground for brands to experiment, learn, iterate and develop new products and services.

All these factors simply point to reasons why brands should get started sooner in China rather than later. There’s no time like the present.

Learn more about this topic on The Luxury Item Podcast.

Iris Chan
Iris Chan

Partner & Head of International Client Development, DLG

Iris has 15 years of marketing experience in agencies and consultancies in the North American and Asia Pacific markets, specializing in the luxury category. She has worked closely with brands including Four Seasons Hotels & Resorts, LVMH, Richemont, Ermenegildo Zegna, Christian Louboutin, Estée Lauder Companies and Ralph Lauren. Her marketing experience spans the areas of branding and communication strategy, digital strategy, market research and analysis, media and editorial planning, as well as online and offline activations. Previously based in Shanghai for over five years, Iris now resides in New York.

CONSUMERS

Decoding China: A Western Perspective of the China Opportunity

by

Iris Chan

|

This is the featured image caption
Credit : This is the featured image credit
Chinese consumers account for more than a third of the luxury goods sector’s worldwide revenues, and are still fuelling growth in the sector in spite of the ongoing US-China trade…

Over the last decade, collaborations between luxury brands and contemporary artists have gone beyond mere artistic partnerships towards a new kind of luxury branding.

PARIS – Art and fashion have always developed side by side, for fashion, like art, often gives visual expression to the cultural zeitgeist. During the 1920s, Salvador Dalí created dresses for Coco Chanel and Elsa Schiapparelli. In the 1930s, Ferragamo’s shoes commissioned designs for advertisements from Futurist painter Lucio Venna, while Gianni Versace commissioned works from artists such as Alighiero Boetti and Roy Lichtenstein for the launch of his collections. Yves Saint Laurent’s vast art collection, recently auctioned at Christie’s in Paris, testified to his great love of art and revealed the influence of a variety of artists on his own designs.

In the 1980s, relationships between luxury brands and artists were advanced when Alain Dominique Perrin created the Fondation Cartier. In the Fondation Cartier pour l’Art Contemporain, a book marking the foundation’s 20th anniversary, Perrin says he makes “a connection between all the different sorts of arts, and luxury goods are a kind of art. Luxury goods are handicrafts of art, applied art.”

The Fondation Cartier pour l’Art Contemparain building in Paris

Chinese consumers account for more than a third of the luxury goods sector’s worldwide revenues, and are still fuelling growth in the sector in spite of the ongoing US-China trade war. Should Western brands jump right in?

For many brands, China has become one of, if not, the most important market as it can have a significant impact on global performance. However, as the largest economy in the world, being active in the US market alone can be more than enough to keep a brand busy.

Yet, North American brands are aware of the opportunity that exists in the China market and those who have not yet joined in can only watch from the sidelines as others gain at scale – and FOMO (fear of missing out) is real. Understandably, brands are keen on China, but it can be overwhelming to pinpoint the right strategy for this market, let alone figure out where to start.

To begin with, brands in North America are not necessarily in the right mindset to jump into a market like China. Unlike Europe and the UK, where brands within their home market have had to cross borders, languages, and cultures early on in order to find growth, North America has encountered less friction and fewer hurdles when expanding from state to state and coast to coast.

Then just thinking about the time and effort needed to understand this market – from language and culture to legal business registration and who to trust – can make your head spin. On top of this, there are geopolitical elements that, on the surface, are enough to deter brands – the most current of which being the US-China Trade War and the Hong Kong and Mainland China conflict.

Yet brands continue to pursue the China opportunity. Both classic players the likes of Michael Kors, Coach, and Ralph Lauren, as well as new players Rothy’s, FENTY Beauty, GOAT and Everlane are all trying to make headway in China. Why?

Growing Demand

This year’s Singles’ Day gave way to more than $38 billion in sales across Alibaba’s platforms. Despite concerns of Chinese consumers boycotting American brands ahead of Singles’ Day, sales from the event indicate no shortage of demand and interest for American brands like Nike, Adidas, and Estée Lauder.

Shift in Consumption Patterns

The effects of the Hong Kong and Mainland China conflict felt by retail brands is not a signal of lowered levels of consumption among Chinese consumers. What we are seeing is simply a shift in consumption to other areas in the region when it comes to travel retail. Similar responses to geo-political activities happened back in 2017 as J-Beauty took over K-Beauty in popularity amongst Chinese consumers due to tensions with South Korea, and before that in 2016 when travel to South Korea peaked as the Korean culture wave hit China. In 2019, both destinations are seeing increased travellers from China.

Changing Policies

China has also taken steps to make the conditions for market entry more attractive and feasible. The 2019 e-commerce policy requires all e-commerce sellers to register with business licenses with proper reporting of their transactions and tax filings, which means brands can focus on establishing an official presence rather than fighting grey market sellers.

China currently requires animal testing to be carried out on domestic and foreign goods sold in the local market, and this has been a significant barrier to entry for North American beauty brands that plan to remain cruelty free. However, changes to this policy are now in the works. While this may take some time to take effect, cross-border platforms like Tmall Global and Kaola, coupled with the impact of the e-commerce policy, offer a strong proposition for brands to invest and reach consumers in China.

The opportunity in China is real. So where does that leave us?

China has one of the largest land masses and is the most populated country in the world. So it should be expected that the level of investment required should match the size of the opportunity. It is important to recognise that a brand’s chances of success in the market is directly linked to its capacity to invest and find the partners to operate and scale their efforts. Working with marketplaces, technologies, media and KOLs (Key Opinion Leaders) is par for the course as it is hard to go at it alone in this huge market.

It can be tempting to think of opening a Tmall store as a one-off investment, or handing off the keys to the business to a distributor. But if you’re looking to truly invest in China for the long term, investments should be made strategically and planned in phases. Brands should also learn to identify the right triggers for building and developing their Chinese presence sustainably.

Lastly, this is a market that is constantly changing. There is no perfect storm that will allow everything to fall into place. Even if it seems perfect in that moment, it most certainly will change the next. China is a digitally dominant and mobile-first market – far beyond what we experience in the West. Under these conditions, the landscape changes at a faster clip, and the only way to keep up is to remain agile in the way you think, the way you operate, and the way you exist. It’s a feeding ground for brands to experiment, learn, iterate and develop new products and services.

All these factors simply point to reasons why brands should get started sooner in China rather than later. There’s no time like the present.

Learn more about this topic on The Luxury Item Podcast.

Iris Chan
Iris Chan

Partner & Head of International Client Development, DLG

Iris has 15 years of marketing experience in agencies and consultancies in the North American and Asia Pacific markets, specializing in the luxury category. She has worked closely with brands including Four Seasons Hotels & Resorts, LVMH, Richemont, Ermenegildo Zegna, Christian Louboutin, Estée Lauder Companies and Ralph Lauren. Her marketing experience spans the areas of branding and communication strategy, digital strategy, market research and analysis, media and editorial planning, as well as online and offline activations. Previously based in Shanghai for over five years, Iris now resides in New York.

Related articles

CONSUMERS

5 Must Know Facts About China’s Millennials

CONSUMERS

Report: Decoding Luxury Marketing Milestones in China: Lunar New Year

CONSUMERS

In 2024, expect more of the same. Now is the time to optimise.